Hermigervill – Global Music Project (Iceland)

30 08 2009


Hermigervill [er*muh*Gair*vill] is a one man electronic act from Reykjavík, Iceland that does it all from playing every instrument on his albums to deftly handling a variety of genres including House, Hip-Hop, and Trip-Hop. He currently has two self-released full-length records, entitled Sleepwork and Lausnina, available for free through his website, with several more apparently in the works. To date, he’s worked with a number of Icelandic musicians and tours as frequently as possible.

Hermigervill’s music is nothing if not diverse. From song to song, styles switch with such ease that the uninformed might assume that they’re listening to a homemade mixtape from a friend. Songs like “Army Of Them (Remix)” sound like a smoked-out Kanye B-Side while others like “Sveitin Milli Sanda” and “Blame It On Gray” are perfect specimens of Trip-Hop and hard-rocking House, respectively. The surprising thing is that it doesn’t seem overly intentional or labored. He’s simply an artist that likes to experiment and does it rather well.

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The Global Music Project – The List

25 08 2009


Here is a comprehensive list of every country, artist, and genre that I’ve covered so far on The Global Music Project.

  • Country: Dhaka, Bangladesh / Artist: Drumlinezz / Genre : Jazzy Drum & Bass
  • Country: Taipei, Taiwan / Artist: Waa Wei / Genre : Acoustic-Pop
  • Country: Turin, Italy / Artist: Diarmonia Mundi / Genre : Metalcore
  • Country: Helsinki, Finland / Artist: Delay Trees / Genre : Mellow-Pop-Rock
  • Country: Switzerland / Artist: Reverend Beat Man / Genre : Psycho-billy
  • Country: Poland / Artist: Rotofobia / Genre : Electronic-Garage-Art-Rock
  • Country: Luanda, Angola / Artist: MC Kapa / Genre : Politically-charged Hip-Hop
  • Country: Berlin, Germany / Artist: Golden Disko Ship / Genre : Ambient/Glitch
  • Country: Brazil / Artist: Felguk / Genre : Electro-House
  • Country: Mali / Artist: Tinariwen / Genre : Roots-Rock/Blues
  • Country: Russia / Artist: Yago-E-Aboo / Genre : Futuristic-Rock
  • Country: Norway / Artist: Magnus Eliassen / Genre : Acoustic-Soul

Magnus Eliassen – Global Music Project (Norway)

25 08 2009


Magnus Eliassen is an independent acoustic-pop artist from Norway with soul to spare. Aside from being a model for DIY done right, his new album, Second Grace, is equal parts contemplative, charming, and sensuous. Considering just how good it sounds, it’s also quite surprising that he recorded the whole thing at his grandparents’ house. After performing around 100 shows around Europe, many of them sold out, and some press adding up, it seems that Magnus might be fast on his to way to becoming a force in indie music. That is, if he’s worried about that kind of thing.

One of Magnus’ strong suits is certainly the consistency in his music. Each song is an instantly enjoyable journey into earnest and soulful-coffee house territory with a irresistibly deep clap-along back-beat and lyrics that laud the joys of love. It should also be noted that all of the lyrics are sung in English, which is no small feat considering that Norwegian is the national language. There is also a subtle undercurrent of a Latin influence as well which is brought out by the use of castanets, staccato guitar, and the occasional odd time signature. Although currently promoting himself as a solo artist by name, he is also joined by three other musicians who masterfully help see his vision to fruition.

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Uglyman – Computer

23 08 2009

What dude?

Yago-E-Aboo – Global Music Project (Russia)

20 08 2009

Yago E Aboo

Today for the the Global Music Project we’re going to be taking a look at a great four piece rock group from Novosibirsk, Russia called Yago-E-Aboo. (Although they claim to be from Moscow on their Myspace page.) They are currently signed to an independent label called Mimonot and have just released their debut album through said label for free. For a band that’s still in the somewhat formative stages, they’ve managed to make a stellar record on par with most anything being churned out the major labels. Sonically, Yago-E-Aboo is equal parts futuristic vocals and forward thinking song structure.

According to an earlier interview done with the group’s vocalist, Vasily Bogdanov, “It’s as if the words have melted into the sound,” and I couldn’t agree more. In fact, the vocals are what really drew me to listen to more of their music after finding them on Myspace, and apparently I’m not the only one. After laying in the depths of Myspace’s nether regions for quite some time, they have been been picking up some steam lately on the site and are close to 20,000 page views, up from only about 200 views a few months prior.

As is par for the course when doing most of the Global Music Project articles, I can’t understand the lyrics as they are in Russian. However, where I previously had to glean emotional meaning from the tone of the vocals, with Yago-E-Aboo there is another level all together to be found. It’s almost as if the vocals are another instrument unto themselves, not unlike Sigur Ros singing in a made up language. Furthermore, whether through natural or effected means, there is an ethereal and otherworldly quality to Bogdanov’s voice that really completes the music.

Yago-E-Aboo’s sound does not stop at the vocals however. Instrumentally speaking, everything I’ve heard from the group is a very honest and well thought out blend of spacey and atmospheric guitar tones mixed with subtle pop-rock songwriting structure. Drummer Egor Lemanovski also keeps things moving with a skilled mix of hyper dance influenced beats and minimalist snare or kick drum only sections as needed. The result is something very contemporary yet not the least bit plagiarized.

Here are some links:
Download Yago-E-Aboo’s Album

Much thanks go out to a blog called Far From Moscow for clearing up some of the details about the group I couldn’t get from their Myspace page.

Although it’s set to some weird anime, here is Yago-E-Aboo’s song entitled “Maximum.”

Midnite – The Gad

16 08 2009

Here’s one that I found a long time ago. There’s no video, only the song, but this song is pretty cool.

Tinariwen – Global Music Project (Mali)

15 08 2009


After finding ten incredibly unique artists from ten different countries for the Global Music Project, I think that a pattern is really starting to emerge. That pattern being that the more third-world the country, the better the music and the less time it takes to find a group worth writing about. For instance, yesterday I spent all of about two hours scouring artists of damn near every genre in Australia and although I came across some interesting music, I didn’t find anything that I felt comfortable recommending. Today it only took about 10 minutes before I found a great group from Mali called Tinariwen.

The overarching theme of their music is mostly the “World music” vibe that you would expect from a group from the deserts of Africa. Their songs range from chugging African rhythms as found on “Cler Achel ” to quiet and contemplative as found on their song entitled “Izarharh Tenere.” However, a closer listen reveals a diverse set of influences and artistic direction. In between traditional African instruments and vocal stylings, one can also find Santana-like guitar tones and spaced-out Hendrix-style lead lines as exemplified on “Assouf.”

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